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Lustman's second EP for Planet Mu, Endeavor, will be out in September, and it will reportedly focus on his experiments in house music. It's that one incredible track I can always count on Lustman to deliver with every release. The vox samples are even more bewitching than usual, given the Boxcutter-esque pitch-shifting they're subjected to. "My Friends Will Always Say." is the jewel of the EP, and it's the song closest in sound to the upscale urban garage sounds of last year's Love Is a Liability, with its quasi-acid formant-filtered bass and descending chords. Second track "Because You" retains the hard-charging bass drum and snares but adds Lustman's signature jazzy organ arrangements and snatches of diva vox, creating a dancefloor-oriented sound that few but FaltyDL could hope to match. The title track's high-energy rhythm and gurgling low-slung bass is a marked departure for the artist, who usually traffics in more laid-back and contemplative garage sounds. It offers a bit of a twist on FaltyDL's tried-and-true NY-flavored future garage, this time taking on a 2-step template and no small amount of jacking Chicago flavor to the mix. Quote New 3-track EP from FaltyDL (ne Andrew Lustman) from the ever-glorious Planet Mu imprint, the first of two he's got lined up in the next few months. The track doesn't go up but out, exploring variations on its few elements and making liberal use of delay to create a nice dub feel, while synths drone on top of the shuffle, giving a somber tone to the music. The second track is a little darker, with interesting, loping percussion and an understated bassline. It's why I got into this music in the first place. It's one of the best tracks I've heard all year, if not for innovation than for the vivid feelings it brings up. The song takes a bit of a left turn halfway through the song when a live jazz drumming session enters the proceedings. It's incredibly evocative, to me, of downtown urban spaces, all clean, angular architecture and glass. "Crimewaves" feels just like a slowed-down late 90's DnB jam, mostly due to the use of the Rhodes synth, which I personally cannot get enough of. There's a very interesting emphasis on live percussion, which is always nice to hear. Crimewaves / In the Cut seem more concerned with interesting rhythms than the wallop of a well-placed bassline. It's also nice to hear new dubstep that isn't balls-to-the-wall obsessed with bigger and badder bass sounds. Cloak & Dagger brings a more cool and austere sort of feel to the work, that high-class urban feel that a lot of great DnB had back in the day. For one, this is a very jazzy variant of dubstep, and not the same sort of slick R&B that, say, James Blake brings to his music. What makes this particular release intriguing is how much of the DnB aesthetic is retained in the transition to dubstep.
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Donuts (Intro) Download: FLAC – 320 kbps –.Quote Cloak & Dagger (ne Evan Gach) makes the transition to slower tempos on this great 12" for the Immerse imprint, in contrast to his earlier work in DnB.
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Adobe Premiere Elements 12 Portable Download. Artist: J Dilla Record: Donuts Label: Stones Throw Records Genre: Hip-Hop / Instrumental Release Date: 2006 Format: FLAC (*.flac) Quality: lossless Size: 290 mb Duration: 00:43:24 Descripti.ĭonuts (Outro) 02.
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